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	<title>Comments on: ANI CORDERO</title>
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		<title>By: Oleg</title>
		<link>https://afrotaino.com/athome/?p=1433#comment-188</link>
		<dc:creator>Oleg</dc:creator>
		<pubDate>Fri, 19 Sep 2014 18:30:36 +0000</pubDate>
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		<description>Wonderful to see this here. For those of us who lived anywhere in Latin America tuhhrgoout the 1970s, the 9/11 date engraved on our consciousness is 9/11/73, Pinochet&#039;s brutal devastation of the Allende years. Along with so much death (the imprisoned, the tortured, the missing, and those forced into lifetimes of exile), a subsidiary loss was art. The Allende years were known, among much else, for beautiful murals and a general flourishing of creativity in all genres. But what sustained so many during the long years of dictatorship was also art: the songs, poems, theater, and visual arts. This is where a people place their hope, waiting for the day when it may blossom again. Victor Jara&#039;s  Estadio Chile  became a song sung tuhhrgoout the world. Art&#039;s role in times of greatest despair as well as greatest joy is a constant reminder of how necessary it is.</description>
		<content:encoded><![CDATA[<p>Wonderful to see this here. For those of us who lived anywhere in Latin America tuhhrgoout the 1970s, the 9/11 date engraved on our consciousness is 9/11/73, Pinochet&#8217;s brutal devastation of the Allende years. Along with so much death (the imprisoned, the tortured, the missing, and those forced into lifetimes of exile), a subsidiary loss was art. The Allende years were known, among much else, for beautiful murals and a general flourishing of creativity in all genres. But what sustained so many during the long years of dictatorship was also art: the songs, poems, theater, and visual arts. This is where a people place their hope, waiting for the day when it may blossom again. Victor Jara&#8217;s  Estadio Chile  became a song sung tuhhrgoout the world. Art&#8217;s role in times of greatest despair as well as greatest joy is a constant reminder of how necessary it is.</p>
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